ADC Theatre, 25th–28th January, 11.00pm, £4-6
Directed by Ahir Shah
There are few things that make me as apprehensive of a piece of comedy as the epithet “clever”. Clever usually means “not as funny as I’d hoped” or “tried a bit too hard”. Clever usually means three stars. Pick Me Up is clever in exactly none of those ways. Instead what is on offer is one of the most well-thought-out and unique pieces of student theatre that I’ve seen at the ADC. Oh, and it made me laugh. A lot.
Straddling the boundary between sketch show and play, the show began aboard a train, moving down the carriages with a series of amusing snapshots of the same moment. This was a strong indication of what was to come; well formed jokes, a cleverly integrated narrative and a dark sense of humour that stayed just the right side of tasteful.
Crucially, despite this carefully developed story arc, the show wasn’t light on individually funny sketches. Simple ideas such as a photography sketch were pulled off in style and occasional jaunts into surrealism managed to avoid becoming “pythonesque”. My personal highlight, a sketch about Mario, managed to combine a stream of gags about everyone’s favourite Italian plumber with an impressive display of slapstick comedy. Not only was it very funny, it also served to show off the broad range of both writing and performance.
As you would expect from a Footlights-heavy cast, the performances were excellent throughout. Lowell Belfield does a great line in wonderfully strange men – in one sketch managing to get a sustained laugh from odd movements and groaning alone. Jason Forbes and Ryan O’Sullivan both displayed perfect comic timing as well as an ability to play the straight man. However, it was George Potts who stole the show, carefully gauging every sound and movement for maximum comic effect whilst avoiding ever becoming too silly. It was refreshing to see a Cambridge sketch show without a single moment of do-a-silly-face-and-wave-arms-crazily.
Other than an ADC audience a little too willing to laugh at absolutely everything and the two grinning morons behind me who tried to ruin everyone’s night by drunkenly chatting throughout, there was very little to criticise. Maybe the inclusion of a story arc sometimes became a little contrived. But every time I felt myself thinking this I was met by a brilliant punchline and all the bad things went away. Maybe this wasn’t quite as belly-laugh-inducingly funny as other sketch shows I’ve seen in Cambridge. But that’s not really the point. Maybe the dark edge to the comedy sometimes got a little too much. But now I’m just being picky.
Pick Me Up is a carefully crafted, intelligently conceived and brilliantly executed piece of comedy which nevertheless didn’t lose sight of the fact that sketch shows are supposed to be funny. Book tickets now to avoid disappointment. Just don’t go if you’re drunk.
But it just wasn't that funny?
I think I got they were trying to do, but despite the euphoria of a crowd that seemed to lap up every hint of a joke, in my opinion it took quite a while to get funny. Even after the slow intro the sketches were very hit and miss.
The Mario joke was definitely a highlight though.
Would've only got three stars from me, but worth watching!
I still thought broody was better.
I like to think of this comment as a poem.
Completely agree. It was funny in places but nothing really original or side-splitting. A lot of
'Timmy, m'boy, your mother is dead, and so are all of your animals'…
'What?! But I only just got off the phone to my mum. And i don't have any animals. And my name is Nina – Im a girl'
'Ohhhh. Sorry. Wrong person. Your mum is fine. But Il rape you anyway' (Pedophilia LOL)
'I LIKE ALMONDS' (haha so RANDOM!)
Yeah, so, it was actually funny, but not enough variation, and if they were trying to go dark, I wanted it to go much more dark and surreal. In a league of gentlemen or nighty night sort of way.
Broody was better. So was the pin.
?
but there's no paedophilia in it whatsoever. there's kidnapping, and baked goods, but neither of those things makes for paedophilia. even in combination.
Throw him in the Tiber
Phil Liebman needs to raise his (comedy) standards.
Also, Liam Williams' poems weren't 'sad'; they were brilliant.
What do you mean, ability to ‘play the straight man’?