GEORGE OSBORN: “Despite a plot as flimsy as an A4 piece of paper and one dimensional characters, this is two highly entertaining hours of fresh and unique cinema.”

RORY ATTWOOD enjoys ‘one of the best amateur/student sketch-shows at the Fringe, but not quite the best’.

JASON FORBES: “At times the acting was awkward—sometimes non-existent—and the illusion broken by the odd surreptitious glance towards the audience.”

George Johnston, noted Faustus at the Fringe blogger, reviews the last show he saw before Edinburgh.

ROB YOUNG: ‘If you have a problem, if no one else can help, and if you can find them, maybe you can hire… The A-Team. Just don’t expect them to explain the storyline.’

ROB YOUNG: Pixar ‘has churned their most predictable and undaring film to date, proving once and for all that it’s time for Woody, Buzz and the gang to get back in their toy box and stay there.’

Stuck in scheduling hell, our Armchair Critic turns to the US and the fourth season of Mad Men.

ROB YOUNG: ‘A good idea can also make for a bloody good film, and this blockbuster, with its original premise and intricate dream layering, is certainly capable of rewriting the rules of cinema.’

Jonathan Ross, Mitchell and Webb, and everything inbetween are under the scrutiny of our Armchair Critic this week.

ROB YOUNG: ‘While by no means perfect, Eclipse shows an ironically bright future for the Twilight franchise.’