CUCO: Mendelssohn, A Midsummer Night’s Dream, Italian Symphony, and Beethoven: Violin Concerto





Stephanie Gonley takes a no-nonsense approach to the Romantic greats which set CUCO on fire for HARRY HICKMORE
Orpheus and Eurydice





Clare College Opera deliver a sleek, seamless production with sensational singing for ALICE CARR
Strauss: Horn Concerto No. 1, Beethoven: Overture to The Creatures of Prometheus & Symphony No. 7





CUMS II don’t cut the mustard for AARON WATTS.
Rappresentatione Di Anima, et Di Corpo





‘Enjoyer’ of opera ALICE CARR on what happens when one of the world’s first operas is given a modern twist.
Brahms: Variations on a Theme of Haydn, Copland: Clarinet Concerto, Schubert: Symphony No. 9





CUCO prove they can still do the canon, but HARRY DADSWELL wants a programme with a bit more of a bang.
Prokofiev Violin Concerto no. 1, Shostakovitch Symphony no. 7





Cambridge students play Soviet music just like real repressed citizens for TIM COOMBES. Strange…
Voices of Women and Whales





Avant-garde instrumental techniques conjure up oceanic soundscapes for RUTH MARINER
Sibelius Violin Concerto & Shostakovich Symphony No. 5





CUSO don’t terrify TIM COOMBES.
Song of the Skull





Obscurity for obscurity’s sake spoiled sparkling potential for JOHN CLAPHAM
CUMS Chorus and Prime Brass





CUMS fails to live deliver like a Cambridge’s Chorus should. Oh dear, writes HARRY HICKMORE
















